Homesong Diary 3: paper copy, red pen

Under the counter or a flutter in the dovecot

It was, to be frank, a day that felt both terrifically exciting and utterly terrifying. Like skydiving, perhaps, or climbing a cliff without ropes.

I am referring to the recent creative development day for Homesong, which, in the larger scheme of life’s trials, should have been a breeze. But the fact is I’m primarily a fiction writer, meaning most of what I do is private. I write in private, I read in private. Quite frequently I meet with other writers to talk about this thing we do, but those conversations are, in the main, private too. Ultimately the work is made public, but then it becomes a private experience for a reader. I’m simplifying, of course, because there might be reviews, public readings, festival appearances, and book-club attendance. But writing for the stage is a different kettle of fish: it’s a living and breathing three-dimensional human space. Hence the…

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